cleofonte campanini造句
例句與造句
- Marchisio brought Raisa in 1912 to Cleofonte Campanini, a leading operatic conductor and impresario.
- He had a repertoire of 80 operas and was the brother of the orchestral conductor Cleofonte Campanini.
- Campanini took the occasion to spend a season in Italy, where his younger brother Cleofonte Campanini was launching a significant career as an operatic conductor.
- The cast included Maria Labia in the title role, Charles Dalmor鑣 as Don Jos? Andr閟 de Segurola as Escamillo, Alice Zeppilli as Mica雔a, and Cleofonte Campanini conducting.
- When Pavley and Oukrainsky were hired by Maestro Cleofonte Campanini as principal soloists in Chicago Opera Association productions, this led to some of their ballet company members being hired to dance in operatic ballet numbers, also, including Ludmilla.
- It's difficult to find cleofonte campanini in a sentence. 用cleofonte campanini造句挺難的
- He played the first trumpet under the direction of renowned conductors and composers like Alberto Franchetti, Luigi Mancinelli, Lorenzo Perosi, Giuseppe Martucci,, Cleofonte Campanini, Franco Faccio, Guido Alberto Fano, Pio Ferrari, Edoardo Mascheroni, Tullio Serafin and Arturo Toscanini.
- He spent much of his life on tour in opera houses around the world, directing performances with singers such as Adelina Patti, Luisa Tetrazzini, Marcella Sembrich, Emma Calv? Fernando de Lucia, Riccardo Stracciari, Antonio Scotti and Parma-born conductors, Cleofonte Campanini and Arturo Toscanini.
- From 1909-13 [ during which time Arturo Toscanini conducted the Metropolitan Opera in New York, and Cleofonte Campanini the Chicago Opera Company ] he directed the Boston Opera House, contributing with his two colleagues from Parma ( parmigiani = ptarmigan ? ) to the re-affirmation of Italian opera in the US whence it had been ousted by the German . [ Thanks to Maurice Grau, who was happy to put on Wagner if it drew the crowds .]
- Percorse una buona carriera in Italia fu al Teatro regio di Parma ( 1889-90, 1894-95, 1902-03 ); al Teatro Eretenio di Vicenza ( 1886, Oasi di Giacomo Orefice ); al S . Carlo di Napoli ( mar . 1897, Andrea Ch閚ier, Manon Lescaut ); al teatro Regio di Torino ( nel 1899 Il re di Lahore davanti all'autore Jules Massenet ), al teatro Verdi di Busseto ( 1909 ) e all'estero ( Parigi, Londra, Madrid, Lisbona, S . Paolo del Brasile nel 1892 e 1893 al Teatro Sao Jos?alternandosi con Cleofonte Campanini.